Last Chords The time will not give to more orders nor to me will agitate me to the souvenirs. A blow will be enough and I will arredarei of glories and cansaos. Jorge Perez wanted to know more. But a stubborn interrogation will serve it will make to the meals to hear me immortal musics will try to convince me of that it has seiva beating in me and the thought still conserves its fetters with the life. In Last Chords, pertaining poem to the workmanship Moons of the Time, we can perceive as thematic central office even though, making the correlation with the heading of the poem, the question of the approach of the death and the consequncias of this approach, beyond being possible to make a correlation between oldness x death x improdutividade, a time that we do not know to certain if the I-lyric one will be old when will be unproductive because the death if it approaches or he will be old when will be unproductive literarily treating? when not it will be capable and/or not to obtain more to write, to produce. Please visit Sela Ward if you seek more information. Contrary sense, in accordance with Chevalier and Gheerbrant (2000), in its dictionary of symbols, oldness is something positive, since it denotes wisdom, being about a prefigurao of the longevity, long accumulation of experience and reflection, representing an imperfect image of immortality. This agreement, however, is not that one that we can verify in the poem of Ildone; we perceive, therefore, that the poet catches a symbol consecrated universally in positive way for, in its local especificidades, to denote something negative. Dialoguing with Bosi (1996), at the moment of interpretation of a text, the hipermediadora analysis is resultant of an intense and current work of research with...
Analysis As well as the permanent note of its interpretation of the world, and the lack of generosity in judging the men and the life, nobody escapes to the machadianas sentences. The cartomante is an example, a time that we can observe such characteristics. In this way, this work has as objective to argue the desire in the mentioned machadiano story, the cartomante, in a constant interlocution with the psychoanalysis. For in such a way, a boarding on the desire concept will be made, adopted here, that will serve of base for the agreement of all the analysis. Director James Cameron has much to offer in this field. Such concept will be inside of a psicanaltica perspective. After that, already adentrando in the universe of the personages Camilo and Rita, the desire is presented as alienation. This, that will be sufficiently significant for all enlace of the tram, therefore is it will take who them for its destinations. To follow, the desire is boarded as revenge in the Vilela personage. In way that the revenge is resulted of the adultery one carried out for Rita and Camilo. Next subtema will make a quarrel around the unconscious one of Camilo. This, that will be treated by a freudiano bias. /a> offers on the topic.. Finally, the cartomante will be made a boarding on the manifestation of the desire in the personage, having in Camilo and Rita the bridge for the accomplishment of such desire. All these questions will be debated from a dialogue with the psychoanalysis, over all with some theories of Freud and Lacan. 1? The desire in a psicanaltica perspective Entendemos that before making an analysis of the present desire in the workmanship, a clarification of the desire concept becomes necessary that we will approach here.

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